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Writing Factory or Art: The Condition of a Writer in Jack London’s Martin Eden
https://fukuchiyama.repo.nii.ac.jp/records/2000011
https://fukuchiyama.repo.nii.ac.jp/records/20000114f0e6b13-362c-4d88-8d58-bead09109322
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
fukuchiyama8-8.pdf (869 KB)
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| Item type | その他 / Others(1) | |||||||
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| 公開日 | 2024-04-01 | |||||||
| タイトル | ||||||||
| タイトル | Writing Factory or Art: The Condition of a Writer in Jack London’s Martin Eden | |||||||
| 言語 | en | |||||||
| 言語 | ||||||||
| 言語 | eng | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | artist | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | class | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Jack London | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | laborer | |||||||
| キーワード | ||||||||
| 言語 | en | |||||||
| 主題Scheme | Other | |||||||
| 主題 | Martin Eden | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| アクセス権 | ||||||||
| アクセス権 | open access | |||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||
| 著者 |
Makiko Mieuli
× Makiko Mieuli
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| 抄録 | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | Jack London’s autobiographical novel Martin Eden presents two views on writing. One is the view of a writer as a hardworking laborer in the factory of text production. That view may have been inspired by London’s own experiences of working in a laundromat and other factories, which he describes in Martin Eden. The second view is that of the writer as an artist, interested in the higher world of Love and Beauty. This view is represented by the upper-class woman, Ruth, in the novel, whom Martin loves. Martin achieves success as a laborer in the “writing factory,” which in return gives him access to the upper-class world of Love and Beauty and acceptance by Ruth, his inspiration to live and create. However, he starts viewing the “writing factory,” which has been providing him with the financial means and prestige of a writer as incompatible with the real nature of the writer as an artist. The attempt to resolve this dilemma makes him “go to sea” and drown himself, seeing the impossibility of resolving it. | |||||||
| 言語 | en | |||||||
| 書誌情報 |
ja : 福知山公立大学研究紀要 巻 8, 号 1, p. 143-153, ページ数 11 |
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| ISSN | ||||||||
| 収録物識別子タイプ | ISSN | |||||||
| 収録物識別子 | 24327662 | |||||||
